Heather Kelley is a member artist at Fifth Avenue Art Gallery. View her bio and a partial portfolio, HERE
Hey Art Lovers! Summer is a great time here in Brevard to get into Fifth Avenue Art Gallery to experience some great art. This is Florida… we don’t stop making and showing great art because it’s hot out. Summer is a really good time to take an afternoon and swing into the gallery to see what is new and exciting.
Monday, July 1st… a brand new show will be in the front room gallery: Where Am I, features new work by members of The Wednesday Group (Begun informally by Donne Bitner and Loretta Schnitzius in the early 80s, The Wednesday Group grew over time to become an informal organization of roughly 20 women artists. In the beginning they called themselves The Beach Girls. The purpose was to only discuss art. They met for a while in restaurants but then moved to Donne’s studio. From there the group grew and became a rich resource of women artists. The group has always remained fluid, members coming and going as life demanded, while still retaining its history of group shows, supporting each other’s work and discussing art.)
Come check it out!
In August we have a solo exhibition of wonderful sculptures by local artist; Larry Buist.
Mr Buist has been working in 3 dimensional art for over 20 years. His work has won many awards and is in many collections, including the Hilton Charter Hotel in Seattle, WA. Buist says of his work, “I sculpt but do not draw or paint except to work out designs for sculptures. In preparation for a new piece I often create clay or wire models. When working without a model I follow a vision and assemble pieces until a rough concept is manifest. With each new piece, I push the limits of my abilities and technical experience, as well as the medium I work in…”
COME ON IN AND SEE US! FLIP FLOPS WELCOME.
Hello Artists and Art lovers!
While Gallery hopping the other day on Highland Avenue, our Arts district, I was amazed at the beautiful work in all the galleries. Paintings, sculpture, and beautiful pottery! A large “happy” painting made me stop to enjoy and think of a great article I read about the way you feel when you write influences your writing. Of course! The same way your mood goes, that’s the way your painting or sculpture will…So before you start your work, goof off! I bet you can think of a few things you would like to do, like exercise and all those endorphins will make you so happy…
Turn on the music! The one that lifts you and your legs start dancing before you know it, and even your brushes will feel it… You can close your windows or open them so the whole neighborhood celebrates with you. Sing your lungs out! Dr. Gundry says its good, not only for your mood, but your heart!
You just can’t wait to start your work!
Now if your plans were to work on a serious project, lets say, the emotional and physical suffering of refugees, you’ll be in trouble with your happy mood… You can fix it easily by turning on the news! It’s a guarantee! You’ll be just right for that agonizing work…
So you see even artist’s work is influenced by their moods. You can see it easily if you pay attention. The details will tell you all the “secrets”. You’ll be able to “read” them through their work. Did you ever try?
Rodin had said: Most people look at Art but they don’t Really see it…
Fifth Avenue Art Gallery Member
“I am a figurative sculptor who likes to work in portraiture and the human form. Working in clay, plaster, stone or wax, the figure is my vehicle of expression. My goal is to utilize a creative language to express clearly my emotional response to the human condition. Approaching the human figure with great respect, I enjoy all stages of creation including the search, struggle, and discoveries. Some time I make a fast maquette to catch a fleeting thought, but most of the time when an idea has fermented in my mind, I get right to making the armature. All the excitement and passion is poured into the actual piece. Greek art is a strong influence. I grew up in Athens where sculpture was very visible in my every day life and had a profound effect in my awareness and love of art.”
Step 1: Choose the right parents.
Your mom takes art lessons from a prominent local artist. You are a toddler who gets to scribble on scraps of paper during these lessons. Mom never confesses to a suspected affair. You might have been a foil…
Step 2: Grow up in the 1950’s
Status and appearance are important. The rising middle class (your parents) emulates the wealthy by filling their homes with encyclopedia sets, classical music, condensed literary classics (why waste time?), and art prints. You are a visual learner and you:
a. read Classic Illustrated comics, the first graphic novels based on the classics. This is of great value later on, when people think that you are a “well-read” adult!
b. watch Winky Dink, the first interactive television program, where you purchase a plastic overlay for the tv screen and draw on it to save Winky Dink and his dog Woofer from potential hazards.(Good thing you drew that bridge just in time!)
c. submit an entry to the “Draw Me!” ad in Readers Digest to try to win an art scholarship. This marketing scam gives you false hope of becoming a professional artist by buying a pricey correspondence art course.
d. complete many paint by number masterpieces. You learn to stay in the lines.
e. take private art lessons with schoolgirl besties on Saturday mornings with 2 of Orlando’s art legends, Ralph Bagley and William Orr. Learn the basic techniques and composition of art, and begin the dream of becoming an artist.
Step 3. This step takes 50 years when you come of age in a sexist culture that coerces you to lower your expectations and forces you to completely lose track of your dream.
a. through k. you major in art at university (finally, real grades for real art), and the dream is reinterpreted for you because you are single and a mother. “Sorry,” says the dean of the art department, “even though you are a great painter, you must major in art education, not painting. There are no open spots in the painting track.” That is not true; it is because you are now a mother who “should” follow a traditional career path. You teach art but marry an ambitious entrepreneur and be his office manager for over 20 years to further his artistic success. Things change in marriage and business and you are back to teaching high school English. (You already have a vast knowledge of classic novels!) Additionally, you are fully responsible for caretaking your elderly mother who is in her late 90’s (Remember, she gave you your first art exposure in Step 1). She keeps your dream alive with encouragement for you and artful conversations. You keep her alive…for a while. You receive additional encouragement from daughters and friends. You begin painting seriously again at age 55 and join other artists in life drawing sessions. Inspiration returns!
Step 4. Blossom.
You are validated by being accepted into local art shows and winning some prizes. Your acceptance as a member in The Fifth Avenue Art Gallery comes almost simultaneously with your long awaited glorious retirement. You feel the lightness of being. You start new adventures. You meet the love of your life. Just like that! You are an artist.
Heather Kelley is a member-artist at Fifth Avenue Art Gallery. More about Heather
If you’ve heard my story before, I’ll try to add more flair. My Dad once told me about trading a new pair of roller-skates for a sailboat, I think he called it a Snipe, and he kept it hidden at a local pond. Much later, while he was still living, I came home from work and told him I just bought a boat. Imagine the look on his face. The Annapolis Sailing School experience gave me a great start but the decision came to me with Dad’s old story.
Time passed and I always found myself living near a body of water with a boat. Colleges, a brief stint in art school, then graduate school, followed by art workshops and mentorships all influenced how I approached art making. I love chemistry and discovery of the nature of things. I have to understand it, everything about “it” before the subject or idea goes down on paper, canvas, sandpaper or whatever the supply stores sell.
We lived in Bucks County, PA with a circle of artist friends. The exposure was breath-taking. I got to see how they worked at art for a living and collected art for their pleasure. It becomes my mission then to spread art-awareness to everyone I meet especially in communities that know little about the visual arts. If you cross my path, there will be either talk of sailing or art.
My watercolor shown here is part of a local hospital collection and is referenced by our boatyard on the Eastern Shore of MD. The photo is of me at the boatyard using my art skills to paint a Bermuda Longtail on the transom of our 42ft Grampian. The paint job has held up for over 20 years. I try my best to do it right the first time.
Many artists paint from photographs, their computer monitor, and an assortment of other reference materials. Myself as well. However, painting outdoors on occasion, has helped me immeasurably when using photos as reference while working in my studio. The experience gained has helped me to better interpret what the camera distorts and misrepresents. A good example is shadows. The shadows and darks in a landscape most often reproduce as dark masses, lifeless in color. Your outdoor experience teaches you to understand the subtle value and color variations that you can now incorporate into your work.
Get out there, paint from life. You don’t have to invest, in all the paraphernalia related to plein air painting (French for “in the open air”). Just take a minute to look around your own back yard. Paint a tree, your fence, set up a still life in a sunny spot. You can make a painting from almost anything.
Have fun with this, don’t expect a masterpiece. Consider this an exercise to enhance your results in the studio. Do this, and it will change the way you look at photographs!
My finished painting will be on display at the Fifth Avenue Art Gallery for the month of February. I welcome your comments and thoughts, If you decide to give this a try, send me your image for my feedback. Email to Fifthavenueartgallery@gmail.com, attn: Bill
Go to: Bill’s page for more about his background and to view a sampling of his artwork.
I was born an artist but it didn’t exactly work out the way I intended. Be that as it may, that is not the story I am going to tell. I am going to fast forward to living outside of Boston, Ma where my husband and I raised our 2 daughters. A favorite pass time over the years was heading to the Museum of Fine Arts in Boston and going to the Contemporary Wing. I loved the imagery and color of Arthur Dove, a modernist who lived from 1880 to 1946. We even had this poster hanging in our family room.
I resumed taking art classes after a one year program in Honolulu while we lived there before children. In New England, I connected with a group of artists on Monhegan Island, Maine. I was in over my head but over time, I persisted in learning how to be a realist painter. That led to a somewhat impulsive one year painting trip around the world with my then 13 year old daughter. I came back with 70 paintings and wrote a book about our adventures.
Florida was next on my journey and when I got here, I didn’t relate to the scenery and remembered the Arthur Dove painting that hung in my old house. My search to find how to paint with wax emulsion which is the medium he used, led me to taking a 3 day course at the Ringling School of Art in Sarasota. The only problem was, it was not wax emulsion it was wax encaustic, which I never heard of. But I had paid for the course and had a place to stay….. and that was 10 years ago. I took the exact same course 3 times over the course of year 1. After learning the ins and outs of encaustic, I was still stymied by how to make the transition from a realist to an abstract painter. My teacher in Maine, Don Stone, commented that any good abstract painter had to first be a good realist painter. So, I had that part under my belt. I was just afraid to do it.
One night in a dream, Arthur Dove came to me and told me I had everything in me that I needed and fear was the only thing preventing me from doing it. All I needed to do was walk through the fear, which I did.
I enjoy encaustic collage, the brilliance of encaustic alone and encaustic monotypes.
I recently added encaustic pigment sticks to my mix and they are luscious and brilliant.